Colour test

Mac suite- document mistakes

We were given an InDesign document to look at and in small groups find 8 mistakes based on the things that we have learned over the previous session. Mistakes including colour, images etc.

1st mistake:

Ink limit on the last page on the text 'back cover' is over the limit. This is because the registration has been changed to black.

2nd mistake:

Two of the pantone colour swatches haven't been used within the document

3rd mistake:

The light blue swatch is an RGB colour swatch

4th mistake:
One of the images within the document has a missing link and has not been saved previously

5th mistake:
Another image has been scaled down when brought onto InDesign to 15% meaning the DPI is now close to 2000 instead of 300

6th mistake:
Another image 'bird 5' has only 72 DPI instead of the desire 300

7th mistake:
The background on the front page doesn't have bleed

To edit an image that has been used on InDesign easily, go on 'get info' and change the option 'open with' to photoshop so that it takes you straight to Photoshop when you edit it through InDesign.

A quick way to see what mistakes are made within a document you can select, File and package and this will produce a summary for you with the issues raised on the document.

You can also choose the links and images option and this will show you what colours have been used and details of them etc.

In-Design

Everything is applied and contained inside a frame in InDesign .
Bleed-used to compensate for any inacuuracywhen cropping
Set a standard bleed margin of 3mm

'Sepetations preview' allows you to see the values used for the individual colours, cyan, magenta, yellow and black.
This is cyan only.
Cyan and magenta.
Cyan, magenta and yellow.
Cyan, magenta, yellow and balck.
Cya, amgenta, yellow, black and the spot colour.

When printing,if you select seperations then the values of each colour will be printed out and each individual colour will be printed onto an individual page.
Knocking out and overprint
Window, output, attributes. Tick overprint gill.
This is the outcome when overpprint preview is on, instead of blocking the colour out it allows you to see the tone of the two colours placed ontop of one another.

Trapping- todo with overprint and registration
Applying a stroke around the text the samecolour as the background so there is no trapping. Set the stroke to overprint so letters don't shrink when you apply the stroke.

Photoshop- colour modes

Resolution: 300

Bitmap only contain black and white pixels.

Increasing the bit depth means more colours are available. eg 8bit

RGB- display a wider range of colour larger than available to print with CMYK.

When converting RGB to CMYK the colours come out duller.

View- gamut warning- the grey shows problem areas, areas in which would cause a problem when you come to print because they are not within the CMYK gamut.
you can tweak/ adjust the image to lessen the non printable colours.
You can do this by image- adjustments and changing the hue and saturation.

likewise, you can use the replace colour option, choosing a section on the image and adjusting the colour to a suitable printable colour.
Another option to alter these colours is to proof colours. The title will read RGB/8/CMYK.

This shows the colours as they will be printed in CMYK and so if you then change the mode to CMYK there should be no change.

Swatches

You can access the swatches by clicking window and swatches, this will bring up a selection of default swatches.

When choosing a colour if you pick one which is outside of the gamut then this small warning sign will appear next to the square of colour informing you of this, therefore allowing you to choose another colour.

When this warning sign appears, by clicking on the small square under the warning sign, this will pick a colour as similar to you choice but within the gamut. Therefore when you proof colours it shouldn't change because its in the printable range.
To delete current swatches hold alt and click the swatch. You can then add your own swatches.This can be done from the foreground colour along the left hand side tool bar. When in this option simply choose your colour and click add to swatches.

If you use the eye drop tool on an image this creates your foreground colour and can then add to swatches. this therefore means that you can create a palette based on an image.
A spot colour- creates consistency, allows you to choose a colour outside of CMYK, it is also cheaper if you are using only two colours only using two printing plates.

Creating a duotone image- the image has to be grayscale to start with.

If you click the first square and then colour libraries, you can select you spot colour.
As it is a duotone, select a second colour to work with your first. By changing the curve, you can change the levels of the colour and how much of each colour is shown.
Duotone image
Channels- a channel shows how a CMYK image is made up, shows the amount of each level.

You can create a new spot channel.= and select an area of an image to change the channel. Below I have selected the sky. You can change the solidity of the channel but the more solidity the less realistic the image will look, this has 0% solidity.

Mac suite- colour swatches